“Eight Miles High” — The Byrds

Nowadays when The Byrds are mentioned, it’s usually in terms of their contribution to popularising 1960s folk songs with a pop audience.

The Byrds took Bob Dylan’s “Mr Tambourine Man” and Pete Seeger’s “Turn, Turn, Turn” to the upper reaches of the UK and US pop charts and Roger McGuinn’s jangly Rickenbacker guitar quickly became one of the signature sounds of 1960s pop music.

Impressive though those successes were, just before Christmas 1965 The Byrds recorded “Eight Miles High”, a song written by the band members themselves, which would go beyond even the chart-topping high quality re-interpretations of folk songs they had become famous for and open a new chapter in popular music.

“Eight Miles High” is generally regarded as the first psychedelic record to hit the mainstream. Without The Byrds blazing that particular trail, popular music in the late 1960s might have gone in a completely different direction.

Soon, psychedelia would be everywhere. Flower Power would be in full swing. Long haired, kaftan-wearing, vaguely spaced-out people would start a movement in an inexpensive district of San Francisco which would spread across the world.

Soon the biggest bands on the planet would embrace this new psychedelic sound to make memorable hits of their own that we still sing along with today.

But it wasn’t the Beatles or the Rolling Stones or Pink Floyd who started the psychedelic ball rolling, even though they rode along the very crest…